Classical Singer Magazine

Summer Programs Addendum 2005

The January 2005 issue of Classical Singer magazine lists summer programs. Below are a few programs to add to your list of possibilities for the summer. To download a complete chart, please go to www.classicalsinger.com/summerprog

Feb 01 CS Staff

A Thankful Heart: : The Greatest of all Virtues

“Why am I doing this?” I huffed, letting my garment bag and other luggage fall to the floor of our apartment. My husband, Chad, (also a struggling musician) whirled around

Feb 01 Angela Cadelago

Letters to the Editor

Dear Editor:Classical Singer has certainly matured into a broadly based source of information for singers and those dealing with them. —William Carey, Hudson, N.H. Dear Editor: Thank you for your

Feb 01 CS Staff

A Candid View of the Profession: : A Review of Renée Flemings The Inner Voice

This new autobiography is excellent reading for singers.

Feb 01 Carleen Graham

Editors Note: : Teachers, Coaches and Singers, Please Read!

So often, I get letters and phone calls from singers asking me about this manager or that manager. They ask whether singers really have to pay retainers to managers, when

Feb 01 CJ Williamson

The New York City Opera: : Fall and Winter Season 2004 Review

The New York City Opera devoted its fall and winter season primarily to highly unusual operas, which added some excitement to New York’s opera season, since the Met has done

Feb 01 John Louis DiGaetani

Code of Professional Standards : For Agents and Managers Representing AGMA Artists

This is the complete text of the new AGMA guidelines. To print your own copy to discuss with your magager, go to Classical Singer Web site or AGMA's Web site (www.musicalartists.org)

Feb 01 CS Staff

Freelancing in Music : So you really do that for a living?

Only a small percentage of singers make their living singing opera in "A" level opera houses. Most singers put their living together in creative ways. Here's how one singer gets by.

Feb 01 Ellen Denham

Ask Erda: : The School Of Hard Knocks

Cindy Sadler responds to two young singers who are worried about not being cast in their schools' opera productions and what it means to their careers.

Feb 01 Cindy Sadler

I Have a Question

A young singer asks how to get inside the mind and times of early composers

Feb 01 CS Staff

Become a Great Sight Reader

It doesn't take a lot of time or money to improve your sight reading skills and the beneftis are boundless!

Feb 01 Amanda White

The Singing Feeling: : The Biofeedback of Singing

Why does your voice get so tired when you sing an outdoor concert? Why do you "sing better" with a cold? Classical Singer's ENT answers these questions and more.

Feb 01 Anthony Jahn, M.D.

Classical Singer Magazine

Summer Programs Addendum 2005

A Thankful Heart: : The Greatest of all Virtues

Letters to the Editor

A Candid View of the Profession: : A Review of Renée Flemings The Inner Voice

Editors Note: : Teachers, Coaches and Singers, Please Read!

The New York City Opera: : Fall and Winter Season 2004 Review

Code of Professional Standards : For Agents and Managers Representing AGMA Artists

Freelancing in Music : So you really do that for a living?

Ask Erda: : The School Of Hard Knocks

I Have a Question

Become a Great Sight Reader

The Singing Feeling: : The Biofeedback of Singing

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