Dear Editor: The magazine is … a useful resource. I especially am appreciative of the medical information. It was instrumental in my avoiding intubation in a recent surgical procedure. —Wanda
My love of all things historic, cultural, and Italian has made Philadelphia one of my favorite places. From Constitution and Independence Halls, to the Kimmel Center for the Performing Arts,
Nestled in the middle of the Northeast Corridor sits the second largest city on the East Coast. Just a two-hour drive from New York City, Philadelphia is its own thriving cultural center—and the Opera Company of Philadelphia is at the heart of things. Robert Driver, the company’s general and artistic director, shares his views on the future of opera in America, on what he looks for in singers he hires, and his views on appearance and age. Join both Robert Driver and OCP’s music director, Corrado Rovaris at the Classical Singer Convention 2006 in Philadelphia.
CS’ resident physician shares his expert advice, from handling asthma as a singer, to curing the common cold in record time, to the effects on singers of orthodontia. Be sure to join Dr. Jahn at the CS Convention in Philadelphia for additional expert advice on what’s ailing you. As always, if you have a question for Dr. Jahn, e-mail him at jahn@classicalsinger.com.
A question like this can cause major anxiety for any singer. You may not be aware of a new group of specialists that can help singers find answers: the professional voice care team. Find out exactly who makes up the team, and when and if you might be in need of their expertise.
For more than a decade, Ellen Rievman has been changing the way singers view auditions by helping them find and express the full meaning and drama of the music. She’ll be sharing even more at this year’s Classical Singer Convention, at the Sheraton Society Hill Hotel in Philadelphia, May 18-20. Come and learn how to fully connect with the character and poetry to make your performances—and your auditions—unforgettable.
In our February 2006 issue, Connie Barnett introduced us to a new word: “placematting.” In Part II, Ms. Barnett reports on the singers’ progress as they implement placematting in their careers. Placematting is helping singers at all levels—from college students to seasoned professionals—to accomplish more and find success. Join Connie Barnett at the 2006 Convention for one-on-one and group placematting sessions.
Brooke Lieb was a favorite presenter at the 2005 CS Convention, and she returns to this year’s convention with plans for even more hands-on Alexander Technique experiences. Find out how this technique can dramatically improve your singing. From releasing tension to helping with performance anxiety, F.M. Alexander’s methods offer something for everyone.
Even with the release of a new recording and the demands of an international career, this jet setting soprano still finds time to help those singers who will follow her. In this Classical Singer exclusive, Marquita Lister discusses how she finds fulfillment through her involvement with the “Negro Spiritual” Scholarship Foundation. Don’t miss Rudolph Cleare, president of the foundation, for his presentation on Spirituals as Art Song at this year’s convention.
A beautiful voice is important—but it isn’t enough in today’s market. Acting, looks, image, résumé, recordings, all come together to make for an effective singer’s package. If you’d like to learn more about how to turn your talent and skills into a complete, marketable package, join Cindy at the Third Annual Classical Singer Convention in May. She’ll also be meeting with singers one-on-one for mini and full-length private consultations.
Classical Singer’s 2005 Stage Director of the Year returns, with insights on role preparation to help you take your performance to the next level.
Houston Opera Announces Appointments Houston Grand Opera reports that Hector Vásquez has been named program director of the company’s Studio, and that next fall Kathleen Kelly will become head of
