For many of you, the past few months have included auditions for undergraduate or graduate programs. With so much going on, taking time to reflect seems nearly impossible. And yet, reflecting is critical for artistic growth. Read on to learn more about how reflecting can help you as an artist.
Choosing recital repertoire is an art form that many wonderful artists have been chronicling for decades. Read on to learn about how to include more works by women composers in your recitals as a student and as a voice teacher.
Undergraduate and graduate students and teachers can find excellent German repertoire suggestions in the continuation of our “Unexpected Repertoire” series.
I frequently ask performing artists at all levels this very important question: “Where in your career or training have you had an in-depth explanation of the causes of and cures for stage fright?” Read on for tips on how to manage performance anxiety effectively.
Several months ago, at the suggestion of one of our readers, we ran a survey to look at the impact of COVID on singers. Dr. Jahn shares the findings of this survey. Read on to discover more about how COVID has affected our readers vocally.
Coloratura Rainelle Krause shares her experience of her early years as a singer while building her career. She is forthcoming about her breaking point and finding a marketable authenticity in her art—and how aerial work helped her balance, literally and figuratively, her career as a singer.
There are few oratorios composed now, and the newest presentation by Music at Co-Cath (MACC) is a unique and exciting one. Entirely in Spanish, this work tells the story of the Passion of Christ through the lens of Hispanic immigrants.
Soprano Sangeeta Kaur tells CS how she merged experiences in opera and other genres, and the wisdom and welcome she found across communities to create successful new music as a classical crossover artist.
Soprano Jennifer Piazza-Pick and clarinetist Natalie Groom formed a duo, Whistling Hens, which commissions women composers for their ensemble. Learn more about how they formed, their process, and the rewarding, exciting work of these two women in chamber music.
Singing is not known to be a “forever” career. Moving from a performing or teaching career to an entirely different field does not negate the successes one gains in music, but the skills we learn on the operatic stage transition well into alternate career paths.
Recently I found myself thinking about performing artists and the need to maintain one’s health. Read on for tips from Heidi Skolnik, sports nutritionist and overseer of the Performance Nutrition Program at The Juilliard School and the School of American Ballet.
The songs you sing in lessons will be some of the most memorable studies of your college years. This column will present the national guidelines for repertoire selection with lists of some unexpected art songs that represent styles and languages that vocal music majors need to learn in English.
