2024

TRIGGER WARNING: Sexual Assault. In this article, Sam Schultz shares what the word “no” means for justice and accountability in the classical music industry.

Soprano Angela Meade shares her experience of turning competition wins into a lasting career through steady preparation and organization. Meade continues to learn at every step of her journey in singing.

Live your truth and define your own success this semester with this installment of the Music Major Minute.

Keriann Otaño and Cris Frisco discuss the future of opera in an ever-changing landscape. 

Tenor Matthew Swensen shares his experiences of singing opera in Europe and throughout the U.S., as well as the adjustments he made as an early career artist to the changing landscape of opera.

A new book explores ways that singers can build inclusive singing communities and address representation in the recital hall. 

On the Steps of the Shubert is an excellent teaching resource, a tribute to Sondheim and the artform he shaped with his genius, and a beautiful, living record of Broadway history.

Rising young soprano Sara LeMesh is a versatile artist who thrives on singing in a variety of genres. Here she tells us about her non-traditional path to developing her blossoming career.

Baritone Eric McKeever was in decent shape, ate relatively well, and took a more alternative medicine approach to health, yet he found himself in need of a heart valve repair surgery. Read on to learn about his experience.

Join us as we leap forward again and make European content a permanent fixture in our online magazine, Classical Singer Online!

In part two of the Autistic Classical Singer series, we'll look at an example of a highly successful autistic singer and offer guidance for autistic classical singers.

Welcome to part two in our Tool Time series, where we provide reasoning and use cases for items for singing and maintenance of the voice. In the hot seat this time: The Belt Box.