After years of singing in Vegas and in choirs, baritone Jason Stearns—encouraged and mentored along the way by former leading baritone, Thomas Stewart—has finally arrived at center stage. Stearns discusses how his relationship with Stewart influenced his interpretation of the great roles, such as Wagner’s Flying Dutchman, his career path, and his life.
Last month, we discussed the ins-and-outs of starting an e-mail mailing list and sending mail blasts. Now we turn to more advanced techniques: sending professional-looking e-mails using Constant Contact and other mass e-mail services.
Laser surgery is one of the newest advancements in the medical field—but it is not always the best and most effective route to take. Dr. Jahn outlines when to opt for the laser and when to opt for the more traditional way.
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Patrick Anderson Columbus, Ohio Tenor Please tell our readers about your career highlights so far. Highlights include singing in a masterclass for Thomas Hampson, singing in a chorale that featured
Not long ago I went to an Apple Store to buy an armband for my video iPod. When I couldn’t find what I was looking for, I asked the store
There is a new buzzword out there among singers. Perhaps you’ve heard it: “Feldenkrais.” What is the Feldenkrais Method? How does it help singers, and can it help you? This four-part series will introduce you to the method and show you some of what it has to offer.
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Each month CS highlights one of its readers. If you’d like to take Center Stage in an upcoming issue of Classical Singer, visit www.classicalsinger.com/magazine/center_stage/. Tell us about yourself, and upload a picture. We want to know about you!
Last month, CS featured conductor William Fred Scott’s thoughts on auditioning. This month, Scott shares details about his new position at Brenau University and its unique program to help singers emerge better prepared than ever for the operatic business. In addition, he discusses problems he sees in the training of young voices to have a “perfect” sound at the cost of individuality, personality, and uniqueness, and talks about what annoys him most about young singers today.
Performing, performing, performing. That’s the name of the game as a young singer working to build a résumé. But what if your college or university falls short in providing these opportunities? Don’t sit on your hands feeling sorry for yourself. Consider other possibilities for creating your own performance opportunities.
For me, the Convention was smashing chiefly because of the presence of the truly great artist and Metropolitan Opera coach Joan Dornemann. I have read her book, Complete Preparation, which
