Attendees of the Professional Series can take advantage of three marketing experts in special morning classes each day of the convention. Read what Jo Isom, Mark Stoddard, and Angela Myles Beeching believe singers need to know to help them succeed.
After years of helping musicians find success through typical and atypical career paths, career counselor Angela Myles Beeching joins CS with four terrific tips for assessing where you are now, where you want to be, and how to get there. Don’t miss the chance to sit down with her at the ProSeries of this year’s Classical Singer Convention.
Andrea Huber has enjoyed a successful 20-year career in Europe, first under a Fest contract and then as a freelancer. She joins CS convention attendees this May in San Francisco to shed light on the pulse of the singing industry in Germany and the art of operetta. Get a glimpse into her career and convention presentations in this exclusive interview.
Past Classical Singer Conventions have featured panels of directors from opera companies around North America answering specific questions about what directors want, and this year’s convention will be no exception. Two general directors who will join Professional Series attendees in San Francisco this May sat down with CS’ Kresha Faber to discuss what they look for in the singers they hire and rehire. Don’t miss your opportunity to sit down with Valéry Ryvkin, Robert Swedberg, and other general directors and get the answers for the questions you want to ask!
Classical singers are always on the road, but we have to call somewhere home. Where do you want to headquarter your career? In this second installment of Classical Singer’s city spotlights, we highlight San Francisco, the host city of this year’s Classical Singer Convention, set for May 24-26. Read what the denizens of this musical hotspot have to say about singing in one of America’s most beautiful cities.
Two singers ask Erda how to stay connected with the singing world while living in small towns. From reading publications, to using the Internet, to attending the upcoming Classical Singer Convention, Erda has all the answers. If you have a question, e-mail her at erda@classicalsinger.com.
In this third installment of Michelle Kunz’s series, we meet “Anne.” Discover how Anne is finding herself—and a renewed joy in singing—at the end of a long and difficult path.
Each month CS highlights one of its readers. If you’d like to take Center Stage in an upcoming issue of Classical Singer, visit www.classicalsinger.com/magazine/center_stage/. Tell us about yourself, and upload a picture. We want to know about you!
Tell us how we’re doing. Tell us about the articles that have helped you and articles you’d like to read. Share with us and our readers how YOU are doing and what you’re finding makes you a more successful classical singer. We would like to publish your comments, received either by e-mail at editorial@classicalsinger.com or in the mail at P.O. Box 1710, Draper, UT 84020. The opinions expressed are not necessarily the view of Classical Singer magazine or the publisher.
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San Francisco’s foggy mornings, rolling hills, and spectacular bay views have inspired many a human heart. Poems, songs, novels, movies, and television commercials have centered around the city named after
From a cervical discectomy, to a vocal hemorrhage, to the possible vocal consequences of using a CPAP machine, Dr. Jahn gives all the information you need to know. If you have a question for Dr. Jahn, e-mail jahn@classicalsinger.com.
