This immature voice might need some guidance to save it from ruin.
From Naxos, a Fidelio that levels the field
For longevity and quality, very few singers can match the career of Maestro Carlo Bergonzi. He's one of the old-style singers. It's all about the voice and everything else takes a backseat. We all sat together: the famous tenor, his translator, and me with my trusty tape recorder. I'd like to say that my Italian is great, but instead I caught as many words as I could from the Maestro and waited for the translator to fill me in on the words I missed. Bergonzi's intent was easy to decipher. In true Italian style, he waved his arms about in descriptions of sound. He commended me on my English, "with you… your speaking, I understand." Having one's diction complimented by one of the world's great singers feels pretty good.
Bergonzi attempts Otello at age 75. This tragic event will not be forgotten any time soon. Classical Singer was there at the most discussed operatic event of the season.
The Metropolitan Opera Verdi’s Rigoletto Metropolitan Opera House, New York April 6, 2000 This season, it appears that the Met is serving Rigoletto Lite. The Zack Brown sets and costumes
Handel's Alcina, Bellini's I Capuleti e i Montecchi and Audra McDonald
The willful violation of the intentions of the composer and librettist deprives audiences of their chance of having a meaningful encounter with operatic masterpieces.
In This exclusive interview with CS managing editor Freeman Gunter, attorney Robert S. Perlstein explains what you need to know to enter a negotiation with confidence.
Who gets to be "Singer of the World," and how?
An expert coach helps you find the right stresses for Bellini's complex recitative
Dear Dr. Jahn: I have a terrible habit of biting my lip. I know it sounds very minor, but I’ve been doing it for about 20 years now – I’m
The Artistic Director of the Minnesota Opera wants to lead both singers and audiences into the glory of bel canto.
