Classical Singer Magazine

Jennifer Porto continues her chronicles of what it’s like to be a full-time Fest singer in Germany. This month read how two casts and no covers means little to no stage time and the real challenges that presents.

As high school singers from around the country prepare to compete in this year’s Classical Singer Vocal Competition, read about four former competitors to find out what they are doing now and how the competition impacted their college careers.

Every singer has felt the practice room burnout, both from frustration and real vocal fatigue. Rather than giving up practicing altogether, consider another method: the art of visualization.

Find out what this mezzo-soprano who once traveled the globe singing is now doing in her studio and masterclasses to help singers free not only their voice but also their passion.

A traditional technique for actors and non-classical singers, improvisation is relatively new for the classical singer. OperaWorks director Ann Baltz has been using the technique for years, however, and seeing the amazing benefits singers gain from participating, including increased freedom both vocally and emotionally.