A traditional technique for actors and non-classical singers, improvisation is relatively new for the classical singer. OperaWorks director Ann Baltz has been using the technique for years, however, and seeing the amazing benefits singers gain from participating, including increased freedom both vocally and emotionally.
Soprano Robin Follman shares her journey through infertility, Fach changes, and the ups and downs of it all. Sit down with her at this year’s Classical Singer Convention for even more candid conversations on women’s issues for the female singer.
From law school to a singing career to his current role as artistic director of Seattle Opera’s Young Artists Program, Peter Kazaras is not your typical guy. From his atypical career path, Kazaras has learned what matters most for singers, wisdom that he imparts here and will continue to share at the upcoming Classical Singer Convention.
If you’re joining us for the Classical Singer Convention in Los Angeles at the end of this month, get schooled on what you need to know about transportation, sightseeing, and eating well in the City of Angels.
Have you or a singer you know ever been diagnosed with a “lazy vocal fold”? Just what does it mean, both physiologically and for your vocal health? CS’s resident physician provides the answers.
