Elizabeth Hart is President of the Maryland/District of Columbia Chapter of the National Association of Teachers of Singing. She also serves as editor of the Association’s newsletter where this article first appeared in the February, 2000 issue.
Just as teachers, classical singers and listeners were beginning to get it right, a new specter appeared: “ Audio Enhancement,” a microphone at the opera. The author argues, passionately and reasonably, against this newest barrier between artist and auditor.
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