CS Staff – Page 2 – All Articles

Find all you need to know for the 2011 Convention, including hotel maps, class schedules, and class descriptions. Download the schedule and descriptions.

To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.

Find out what your fellow singers and colleagues have to say about exercise, healthful eating, and general good health.

As I stand at a crossroads in my vocal career, I have to ask myself that all-important question: Why do I sing? My schooling is complete, at least for now.

To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.

To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.

To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.

To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.

Why I Sing By Gretchen Retka I sing because I breathe. Breathing and singing go hand in hand. I inhale and I sing, inhale and sing. I’m always singing wherever

Tell us how we’re doing. We’d love to hear your response and reaction to the articles published each month, as well as your view on the classical singing community. Contact us via e-mail at editorial@classicalsinger.com or by mail at Classical Singer magazine, P.O. Box 1710, Draper, UT 84020.

Tell us how we’re doing. We’d love to hear your response and reaction to the articles published each month, as well as your view on the classical singing community. Contact us via e-mail at editorial@classicalsinger.com or by mail at Classical Singer magazine, P.O. Box 1710, Draper, UT 84020.

Dear Editor: I found two of the articles in your March issue interestingly contrasting: “Nudity in Opera Today” and “Ageism in Opera.” If I may be allowed to correlate the