CS Staff
Classical Singer Convention Schedule
Find all you need to know for the 2011 Convention, including hotel maps, class schedules, and class descriptions. Download the schedule and descriptions.
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To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.
Readers Weigh In on Fitness and Exercise
Find out what your fellow singers and colleagues have to say about exercise, healthful eating, and general good health.
Why I Sing : Marissa Bloom
As I stand at a crossroads in my vocal career, I have to ask myself that all-important question: Why do I sing? My schooling is complete, at least for now.
Feedback
To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.
Feedback
To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.
Feedback
To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.
Why I Sing : Sandra Marante
To share your comments about CS or your story of why you sing e-mail editorial@classicalsinger.com.
Why I Sing
Why I Sing By Gretchen Retka I sing because I breathe. Breathing and singing go hand in hand. I inhale and I sing, inhale and sing. I’m always singing wherever
Feedback
Tell us how we’re doing. We’d love to hear your response and reaction to the articles published each month, as well as your view on the classical singing community. Contact us via e-mail at editorial@classicalsinger.com or by mail at Classical Singer magazine, P.O. Box 1710, Draper, UT 84020.
Feedback
Tell us how we’re doing. We’d love to hear your response and reaction to the articles published each month, as well as your view on the classical singing community. Contact us via e-mail at editorial@classicalsinger.com or by mail at Classical Singer magazine, P.O. Box 1710, Draper, UT 84020.
Feedback
Dear Editor: I found two of the articles in your March issue interestingly contrasting: “Nudity in Opera Today” and “Ageism in Opera.” If I may be allowed to correlate the
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