During the weeks since last month’s article, “Why Singing?”, I’ve been thinking about how easy it is to “break eggs without making omelets.” The questions I asked in that article
A Two-Tenor Aida? When German baritone Josef Metternich sang Amonasro, he often warmed up by singing “Celeste Aida,” to the consternation of the tenor in the next dressing room. Sometimes
