Weeks before her Metropolitan Opera debut in 1990, Classical Singer (then called The New York Opera Newsletter) first interviewed Suzanna Guzmán. Fourteen years and one child later we catch up with her again.
The piano begins the intro to your best aria. You prepare for that all-important first note. It’s good. You sing the first phrase knowing you’re off to a good start.
He started out as a lackadaisical singer. Then he left singing, and for 10 years he couldn’t figure out why his life wasn’t working. Even making $100,000 a year didn’t fix the feeling that something was very wrong.
