Dear Editor: It was my pleasure to perform as a supernumerary in the Lyric Opera of Chicago’s production of Rigoletto this past January, featuring Frank Lopardo as the Duke. I was delighted to read the wonderful interview with him in July’s issue and I wanted to write to confirm that Mr. Lopardo is as grounded, humble, and good-tempered as he seemed in the article.
I felt very lucky to work with such a wonderful artist, and was impressed not only by his musicianship and technique—he sang well through all the performances, even the one during which he was a bit ill—but also by his kindness to everyone involved in the show. From the maestro, to his fellow singers, to the supernumeraries, he treated everyone with respect and always had a moment to talk and joke.
What a joy it would be if all stars were as down-to-earth as Mr. Lopardo!
—Michelle E. Vezzoli, Chicago, IL.
Dear Editor: It is very hard for African-American artists to break into the world of opera, and I appreciate everything you have done by featuring artists such as Lawrence Brownlee [May, 2006], Gordon Hawkins [March, 2006], and even making it a class at the recent Classical Singer Convention. I also noticed how you publish the articles of many African-Americans. It is very evident that your organization is in tune to all demographics of the industry, and you do not have a closed mind when you come upon new talent that should be featured. I look forward to subscribing for many more years to come.
—Name Withheld, New York, N.Y.
Dear Editor: Your articles are timely and entertaining, covering many vocal aspects.
—Osceola Davis, Riverdale, N.Y.
Dear Editor: Your article on Alexander Technique [April, 2006] was very thought-provoking.
—Jennifer Marshall, Mamaroneck, N.Y.
Dear Editor: Oh, if only I had had this rich, informative magazine in my career pursuing days, but I am happy now to share it with my young students. We all owe a debt to CJ Williamson.
—Maggie Heilweil, Newton, Conn.
