Show Synopsis: Ella Peterson works for Susanswerphone, a telephone answering service that will anwer the phone for people when they cannot make it to the phone. She likes to fantasize about the people on the other ends of the phone lines and pretend to be different people with different voices on her end. She begins to talk to Jeff, a writer who wants Ella's help with his writer's block, and they start to flirt. Sue, the owner of the service, falls in love with Sandor, who owns a bookmaking company fronting as a record company. They set up shop in Susanwerphone's office and the police begin to moniter them, mostly because they believe Susanswerphone is actually an escort service. Ella meets some of Jeff's friends and worries that she does not fit in with them, because she has not really been herself with Jeff. The police begin to close in on Sandor, who is trying to borrow money from Sue, and three different men Ella suceeded at influencing go to look for her and meet her in person. Jeff and Ella reunite. Character: Ella, a young woman who wants to talk to men more often and loves the anonymity that the phone service provides her. Song Context: Ella decides that her best chance at being happy is leaving town for somewhere else far away from Susanswerphone, Jeff, and the other clients she has talked to. Fun Facts: 1) The character of Ella and overall plot of the musical was based on Mary Printz, a notable telephone operator who served many major New York businessmen and theatre professionals in the 1950s. 2) Judy Holliday originated the role of Ella on Broadway and reprised her role for the film adaptation in 1960. She won a Tony Award and Golden Globe Award for playing Ella. 3) Holliday was praised for her versatility in the role of Ella, showing "brashness and underlying insecurity" during her songs, according to musical theatre historian Ken Bloom and Fred Vlastnik.
"I know you. Your name is Sue. But who am I? I've gotta find out - At least I'm gonna try. I'm going back Where I can be me At the Bonjour Tristesse Brassière Company. They've got a great big switchboard there Where it's just ""hello, goodbye."" It may be dull, But there I can be just me, myself and I. A little modeling on the side - Yes, that's where I'll be At the Bonjour Tristesse Brassière Company. And if anybody asks for Ella, Mella or Mom Tell them that I'm goin' back where I came from To the B.T. Bras-se-ière Company. Goodbye, everybody! Goodbye, Madame Grimaldi! Goodbye, Junior Mallett! Santa Claus is a-hittin' the road. Listen to your mama, mama, mama Eat your spinach baby, Eat your spinach baby By the load. La petite bergère restaurant adieu. Je ne reviendrai jamais, jamais, jamais. C'est tout fini - Adieu to you. So, goodbye Max, to your dogs and your cats, To the Duke of Windsor and His Duchess. Bye bye Barton and Kitchell and Hastings - At last you're out of my clutches. I'll miss you but you'll carry on. You'll never know that I've gone. I'm a-going back Where I can be me, At the Bonjour Tristesse Brassière Company. And while I'm sitting there I'll hope that I find out Just what Ella Peterson is all about In that Shangri-La of lacy lingerie. A little modeling on the side At the Bonjour Tristesse Brassière Company. Send me my mail dere! To the Bonjour Tristesse Company."