Show Synopsis: Carroll Todd works as a performer at Henri Labisse's gay club and meets Victoria Grant, a poor soprano who Labisse does not want to hire. Labisse fires Todd when he tries to help Victoria, and takes her in because she has nowhere to go. Victoria muses that life would be better if she were a man and Todd thinks life would be better as a woman. Todd's ex-boyfriend Richard comes by to get his things while Victoria is dressed in Todd's clothing and believes that she is Todd's new boyfriend, so Toddy dreams up the idea of Victoria playing Count Victor Grazinsky, who pretends to be a woman. Todd brings her to Andre Cassell, who does not believe this "man-playing-a-woman" can sing such wonderful soprano notes. As Count Victor's fame grows, the American King Marchan becomes determined to prove that "he" is a "she" and becomes unsettled when he realizes he's attracted to Count Victor. King invites Toddy and Victor over to dinner and has them sing, but Richard and his friends start a brawl at the club. King and Victoria kiss and Victoria tells King that she is in fact a woman, but when King's bodyguard Squash finds them in bed together, he applauds King for coming out as gay and comes out himself. Meanwhile, King's ex-girlfriend is telling people in America that King is gay and dumped her for a man, and when she goes to Paris, Victoria reveals herself to be a woman. Squash and Todd are very happy together, Todd gets his job back at Labisse's club but says goodbye to performing, and Victoria says goodbye to Victor once and for all. Character: Norma Cassidy, a ditzy American woman who wants to be loved. Song Context: Norma is trying to seduce King, since she has discerned that she is not at the forefront of his mind. Fun Facts: 1. This musical was based on the 1982 film of the same name, which also starred Julie Andrews in the title role. 2. Rachel York originated the role of Norma on Broadway. 3. Lesley Ann Warren played the role of Norma in the original film version of the story, and in an interview with TheBackLot.com, she said that "I thought she was so big, so flamboyant, so off the charts with her colorful behaviors. I thought no one would take me seriously again! But really truly, once I saw it with an audience, I realized what a potent, fun, fabulous character that Blake and I had created."
"Rome may be hot, sexy it is not. Paris is so sexy. Ridin' in a taxi gives me apoplexy. Been ta Lisbon and Lisbon is a has-been. Schlepped ta Stockholm, an' brought a lotta schlock home. Also Oslo, and Oslo really was slow. Paris makes me horny; It's not like ""Californy"" Paris is so dizzy; Jack , it's such an aphrodisiac! oooooh! It's true. Paris thrills me. When I see the Eiffel Tower, I have to go and take a shower. It's true, I do. Paris kills me, And it makes me sexy. As for Madrid, save it for El Cid. Dinin' at the Lido loosens my libido Like a big torpedo. Seen Geneva, it's hardly jungle fever. Been ta Bussels could use some red corpuscles. Tried Toronto, departed ""molto pronto"". Paris makes me tingle; Makes me glad and single. London's okay, if it's for one day. Oh, but Paris makes me sexy In this solar plexy. Been ta Munich, where ev'ry guy's a eunuch. An' ta Dublin, things ain't exactly bubblin'. Hate Helsinki, the Finns are kinda kinky But Paris...my ...ah, ah, ah, Paris! Oh, yeah! Paris makes me... oh, oh, oh...Pooky!"